Posts Tagged ‘Tom Hart’

Faculty Updates

Thursday, January 21st, 2016

What have SVACE faculty members been up to, besides preparing for Spring 2016 classes? We have exciting updates from Grant ShafferKeith MayersonIlene StrizverMatt Rota, and Viktor Koen.

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Grant Shaffer at La Mama Galleria

Grant Shaffer will open a solo exhibition, Gay Arms, on February 26 at La MaMa Galleria. For Gay Arms, he will present a new body of photographic work. Shaffer writes, “When I’m taking pictures, I think of myself as an alien who’s here for a while, trying to understand the experience of my sliver of life on this planet.  It’s hard to say what my photos and this show are about.  It’s just intuitive.  It’s very personal and at the same time very public. It’s me trying to take in the world and asking people to notice or consider something.”

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Tom Hart, “Rosalie Lightning”

Keith Mayerson, current faculty member, will speak with Tom Hart, recent faculty member, at a public discussion and book signing for Rosalie Lightning, Tom’s new graphic memoir. The book is based on the grieving process of Tom and his wife after the death of their young daughter. Keith and Tom speak on Wednesday, Jan. 27 at 7pm, Barnes & Noble, 2289 Broadway, New York City.

Sagmeister & Walsh, "The Happy Film"

Sagmeister & Walsh, “The Happy Film”

Ilene Strizver interviewed design titan Stefan Sagmeister for her TypeTalk series with CreativePro.com. Sagmeister speaks about his thinking process, his education, your education, and his dream job. One takeaway: “The current generation of design school faculty all learned about design in the 80s and 90s when ideas and concepts were king, and formal considerations were dismissed – including by me – as decoration. I now think that was wrong. Beauty is very much part of what it means to be human. Good-looking things communicate more effectively.”

Matt Rota for GQ Italia

Matt Rota for GQ Italia

Matt Rota produced new illustrations for GQ Italy about hackers that stole $45 million from ATMs throughout Manhattan. And Viktor Koen crafted a feature illustration for Scientific American magazine about the incredibly sophisticated tracking system our mammalian brain uses to find its way around, before we racked up points using Waze.

Viktor Koen for Scientific American

Viktor Koen for Scientific American

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The Birth of Quill

Monday, March 29th, 2010

Your "Peace" in the Show: Joe Flood with Keith Mayerson

Curated by artists’ artist Keith Mayerson, the neo-NeoIntegrity (or post-NeoIntegrity) migrates from Chelsea to SoHo, where, 15-20 years ago, it would have been in the capitol of the art world.  The first incarnation at Derek Eller Gallery in 2007 felt like the Justice League Satellite, a zero-gravity chamber of unimpeachable art that surely anticipated Reporta Smith’s recent summoning for “art that seems made by one person out of intense personal necessity, often by hand.”  And this show does, too.

Inside the gallery at MoCCA (the Museum of Comic and Cartoon Art), the show seems as far from Chelsea as Narnia, Gotham City, or Krypton, despite the presence of the Chelsea canonized Mike Kelley, Jim Shaw, Ellen Berkenblitt, Carroll Dunham, and Peter Halley.  And has the Whitney been by to see the Ad Reinhardt collages?

Big balls in a square-paneled world: Keith Mayerson's shout-out

Visitors to NeoIntegrity: Comics Edition might recall recent “visitations” in Chelsea from this alien planet: Basil Wolverton at Gladstone Gallery (2009), R. Crumb at David Zwirner (now), Thomas Woodruff at P.P.O.W. (2008), David Shrigley at Anton Kern (2008) and many other shows of artists working in sequential imagery, grotesque countenance and figuration, and mostly pencil and ink.  Keith Mayerson’s own mini-retrospective and end-of-empire narrative Both Sides Now at Paul Kasmin Gallery (2009) shuttled back and forth between these worlds.

(l) MoCCA Chairwoman Ellen S. Abramowitz, youngsters, MoCCA Director Karl Erickson

Generously funded by School of Visual Arts, a longtime fount of cartooning and illustration talent, Keith’s massive project includes over 200 artists and four or five times as many drawings, paintings, sculptures, and videos.  Hot!  The tiny gallery is packed from floor to ceiling, and you really have to watch your step, too.

Krazy Kats: (l-r) Artists Michael Magnan and TM Davy, muse Liam O'Malley, and artist Scott Hug

The bifocals crowd might struggle with the abundance of 10-pt handwritten text extruded throughout the paneled pages, and there is enough black-and-white action to make any newspaper’s editorial page see red.  But that just means that it’s even more of a knockout to see full-color from chromo sapiens such as Dana Schutz, David Sandlin, and John Wesley.  An “Adults Only” section designed by artist TM Davy includes grown-up material ranging from suggestive homoeroticism and explicit T&A to downright  obscenity – more, please!  Here, you’ll find a really beautiful and moody package from James Siena and a multivalent Shel Silverstein that gazes inward, outward, and downward, all at once.

Gold-Medal winning illustrator Yuko Shimizu, SVA MFA '03

More pictures to come after the rain subsides, but the photos today are from the opening reception last week.

IMAGES: Michael Bilsborough