Posts Tagged ‘photography’

Student Artwork Update: Katie Earle

Wednesday, June 14th, 2017

We are pleased to present textile art by SVACE student Katie Earle in collaboration with photographer Oge Erike. Katie created this artwork in conjunction with the course, “Introduction to Fiber Art and Costumes” with Aimee Morgana.

Artwork by Katie

Artwork by Katie Earle and Oge Erike

The artists write:

Katherine Earle (b. 1984) is a textile artist whose work often engages with traditional fibers processes, photography and text. The photographs in this series were digitally printed onto polyester satin and then embellished with embroidery using Brother embroidery machines. The concept of repetition is explored both in using thread to re-create existing shapes from the image, as well as through embroidering multiple versions of the same photo. This series illustrates the many ways in which concepts as simple as lines and form, as they travel through various mediums and through time, are transformed, distorted and re-interpreted. Katherine is a graduate of the Fibres program at Concordia University in Montréal, Québec and continues her studies at the School of Visual Arts Continuing Education program.

Oge Erike (b. 1981) is a photographer whose work represents the life and times of himself, a sweet glorious child of god, born and raised in this heaven called New York, aka God’s armpit.

See more of Katie’s artwork at her website and Instagram. Visit us to see this artwork in our exhibition space at 380 Second Avenue, 8th floor, until June 29!

Faculty Updates

Saturday, June 3rd, 2017

What have SVACE faculty members been up to? We have exciting updates from course instructors Jade Doskow, Elise Engler, Emily Weiner, and Pan Terzis!

Jade Doskow will speak at SVA about Lost Utopias, her ongoing photography and book project. Doskow is known for her rigorously composed and eerily poetic images that examine the intersection of people, nature and time. Her talk is part of the i3: Images, Ideas, Inspiration lecture series, which features photographers and industry experts, presented by SVA MPS Digital Photography.

Image via Jade Doskow

Image via Jade Doskow

Elise Engler is featured in The Times, a group exhibition at the FLAG Art Foundation that takes The New York Times as its point of departure. The Times includes over 80 artists, artist duos, and collectives who “use the ‘paper of record’ to address and reframe issues that impact our everyday lives,” according to the press release. Given Engler’s project, “First Radio Headlines Heard of the Day,” her daily documentations of news updates are perfect fit for the show – and above the fold.

Image via Elise Engler @drawitall

Image via Elise Engler @drawitall

Emily Weiner is featured in The In, With and Between Us at the Gerðarsafn – Kópavogur Art Museum, Iceland! Focused on four artists, including three MFA alumni from the School of Visual Arts, the show comprises “a research-based conversation around non-linear readings of place and time, language and translation.”

Pan Terzis opens up to The Comics Journal about printing, publishing, and politics in his collaborative practice. He writes, “Publishing other artists’ work has been extremely gratifying. I benefited early on from other people going out of their way to publish, promote, show, and sell my work so I feel I owe a debt of gratitude to the universe and it feels good to give other artists the same opportunity.”

Image via The Comics Journal

Image via The Comics Journal

See more updates on our FacebookTwitter, and Instagram pages!

Faculty Updates

Wednesday, May 24th, 2017

What have SVACE faculty members been up to? We have exciting updates from course instructors Charlie Ahearn, Jon Newman, and Richard Schulman.

Charlie Ahearn launched Scratch Ecstasy, a major solo exhibition now on view at PPOW Gallery in Chelsea. As PPOW describes it, the show “reflects the culmination of 25 years of Ahearn’s work mounting shows, publishing books, and making films, offering unparalleled insight into the people who defined the movement and its current influence on contemporary society.”

Image via PPOW Gallery

Image via PPOW Gallery

Charlie Ahearn also hosted two recent screenings at Metrograph of his pioneering film, Wild Style. Read more about Charlie Ahearn in this Hyperallergic feature.

Image via Metrograph

Image via Metrograph

Jon Newman opened a two-person exhibition with Benny Leung in Hong Kong. Newman writes, “This project is a vehicle to help break the monotony of everyday working life in quiet, subtle moments scattered around the city of Hong Kong. Free-hand, tape patterns were made on discarded objects by both graphic designers. These patterns can be seen as a conversation between the two (even though they speak different languages); they communicated fluently through the graphic elements.”


Image via Jon Newman and Benny Leung

Richard Schulman has published New Architecture London with Prestel, offering a photographic tour of London’s signature architecture landmarks, such as Rafael Viñoly’s “Walkie-Talkie”, “The Gherkin” by Foster + Partners, Renzo Piano’s mixed-use skyscraper, “The Shard,” and more. Read this review in The Architect’s Newspaper.

Image via The Architect's Newspaper

Image via The Architect’s Newspaper

See more updates on our FacebookTwitter, and Instagram pages!

Bushwick Beat

Thursday, April 27th, 2017

On this segment of Bushwick Beat, we stayed close to the Jefferson stop on the L train, visiting group shows at TransmitterSchema Projects, and Sardine.

At Transmitter, a group show titled “Photo II” ran the gamut of photographic practices, from bizarre portraiture and still life to architectural abstraction.

Erin O'Keefe at Transmitter

Erin O’Keefe at Transmitter

The work of Erin O’Keefe was immediately arresting for its bold color and solid form. After the initial read, however, the status of the work as a photograph quickly came into question. With unreliable space, gradients, and shadows that seem too sharp, these images reveled in their ambiguous status, blurring the distinction between documenting real space and creating an artificial image.

Eli Durst at Transmitter

Eli Durst at Transmitter

Showing off an equally bold sense of form, the photographs of Eli Durst explored a deadpan surrealism that thrived in the harsh contrasts of black and white. A particularly striking image casts an apple against the reflective light of a table. The sharp and exaggerated shadow becomes a tangible form as the table fades into a blurred white.  With a minimum of manipulation and by simply harnessing the textures of things, Durst’s photographs become a light show of the weird mis-recognitions in the act of seeing, of visions that refuse to relay and stay stubbornly inert.

Irina Rozovsky at Transmitter

Irina Rozovsky at Transmitter

Irina Rozovsky’s work shared the high key visual intensity of O’Keefe’s images as well as the surreality of Durst’s photos, contrasting the austere composure of those artists with a fragile vibrancy of broken, complex things. As a result, her photos felt more documentary in nature, less focused on the artifice of the photographic eye than the makeshift enigmas found in the world.

At Schema Projects, “Archetypewriters” was a group show organized by ROE Projects, focusing on small drawings that used systems and patterns and suggested a kinship with writing. As a bonus, most artists also shared a love of vibrant color.

"Archetypewriters" at Schema Projects

“Archetypewriters” at Schema Projects

The drawings were tightly hung along eye level, with dozens of works by the eight featured artists. All of the pieces were engrossing, whether for the simple visual power of neon markers, the precision of a lace-work pattern, or the indecipherable rules that set a given work in motion. For this visual eclecticism, “Archetypewriters” managed to be one of the most visually impressive shows we had seen in Bushwick in a long while.

Screen Shot 2017-04-26 at 10.14.24 PM

Butt Johnson in “Archetypewriters” at Schema Projects

Screen Shot 2017-04-26 at 10.14.32 PM

“Process +/- Pattern” at Sardine Gallery

Finally, we visited Sardine gallery, where “Process +/- Pattern” put five artists together along the theme of process and pattern. In contrast to “Archetypewriters” and “Photo II,” this show featured work that did not immediately speak in unison, and varied considerably in medium and approach.

A video display of a self-erasing page of the Old Testament by Willum Geerts

Willum Geerts in “Process +/- Pattern” at Sardine Gallery

A video display of a self-erasing page of the Old Testament by Willum Geerts sat alongside a pattern drawing and paintings by Keigo Takahashi and Shane Drinkwater. A Tatlin-esque wall sculpture by Karen Tepaz was hung next to a woven work by Heidi Hankaniemi. The broad themes of the show invited this extreme variety; and while “Process +/- Pattern” proved less focused than the two earlier shows, it was a welcome abandon of their principled approach to medium.  The focus was instead what these objects shared despite their disparity – a commitment by each artwork to be what it was, whether followed through by the rule of pattern or discovered in the process along the way.

-Will Patterson

Weekend Hot Links

Friday, April 14th, 2017

Happy Friday! Get creative this weekend with recent art, design, and culture stories shared by the SVACE faculty and community.

Radical Women (The Cut): The Brooklyn Museum honors the work of black feminist artists. (via SVA News)

(via SVA MFA Visual Narrative)

(via Robert Stribley)

(via SVA News)

Color Code (FastCo. Design): Explore Le Corbusier’s color harmonies, in spaces and your mind. (via SVA Products of Design)

(via Mark Burk)

Viva Italia (Curbed): See Italy’s rich graphic design history celebrated in this new website. (via Jess Mackta)

Right Swipe (Newsweek): The plot to paper college campuses with racist posters. (via Steven Heller)

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