Yes! Alright! Sweet. Three things this week are worth celebrating.
First, and as a follow-up, Maison des Cartes, the shanty timeshare project by Lisa Kirk, has launched! It is now installed at the Brooklyn Navy Yard. Vanguard wayfarers who purchased week-long shares (through Invisible-Exports) will now have the shanty at their disposal. What will they do there? Nudist séance? Pig Latin Yoga? Megaphone Bible study? Plushie Russian roulette? I know what you did last summer…
Second, artist Frank Haines makes his NYC solo debut at Lisa Cooley, with his Form is the Graveyard of Consciousness. Let’s meditate on that for a while.
Frank is genuinely on his own trip, solidifying his work into Symbolinamilist* painted sculptures, drawings, and even an hour-long recording of music he composed. Frank has selectively performed with Chris Kachulis as “Blanko and Noiry” at A-list venues, including The Slipper Room, the NADA Art Fair, and Gavin Brown’s enterprise. So how will his solo show look? I’m betting on “Sol Lewitt goes Cult of Cthulhu.”
Third, Everything Must Out Going opens at Asia Song Society, the Chinatown gallery owned by Terence Koh, self-anointed “Naomi Campbell of the Art World” (Then who is Farrah Fawcett?). For two weeks, ASS Gallery transforms into a boutique bookstore/outlet/chop shop, the inventory of which comes with the prestigious provenance of an artist’s personal collection. Think dog-eared monographs, sassy zines, weird necklaces, and limited edition socks. Artist-donors include Wade Guyton (super hot), Tauba Auerbach (hot), Matthew Brannon (eh), Kathy Garcia (hot), Eileen Quinlan (don’t know), and scores more. Designed by architect Rafael de Cardenas, Everything Must Out Going is the conception of ASS Director Liz Lovero (hot enough and hot, respectively).
*Symbolist + Minimalist
IMAGES: Kent William Albin, Lisa Cooley, Asia Song Society
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